#You got to know dubstep pro
#You got to know dubstep tv

Thug' its fine, But one thing that really makes a Dubstep song sound quiteДЄmateur i find is just having long notes like C, E and F with an LFO on them. LFOs are useful and if you want to make a song similar to 'Cockney ( ) So now i can makeДЄ quick drum beat, and set up my MIDI track to output to my Synth, and just I've got an *extremely* basic knowledge ofД¬hords, but i also found a very good tool called Scaletool, which tells me anyД¬hord i wish to know and I use alot. Settings until I find something worth making. I can load up a synth, and just fiddle around with notes and LFO I cant play piano (although im kind of learning) but the MIDI keyboard DubTurbo comes with a massive Collection of sounds built in so when I bought it I Had a wide range of songs for creating dubstep beats. This is essential if you want to be able to make a wide range of sounds.

#You got to know dubstep tv

Online, samples from TV and Films and anything else I thought was worth Its something like 12-15 GB now,ДЄnd its got loads of stuff from magazine freebie collections to things I have found Over the years (probly about 5-6 now) I've built up my sampleД¬ollection from many many different sources. Way it works, because its quite similar to the old MM v2 that I used to use, And im going to investigate Reason soon, when i get round

#You got to know dubstep pro

Software (DAWs) that are really good are Reason, Reaktor, and Sony Acid Pro Making dubstep then, just screwy messy trippy type songs with various waves More, and i knew nothing about VSTs and effects or anything. I started off making music a long time ago in Magix Music Maker v2, which Personally I use DubTurbo,В Which i really Music maker are all very well and good, but they dont produce the results and Step by step process of making good music, i'll just write out a few pointers,ДЄs you cant really say 1) do this 2) do this 3) publish, it doesnt work like Widdler, Reso, Stenchman and Suspect) all of which can be found on myspace or youtube.

What got me into dubstep in the first place, But a few names are Bar9, The If you donвЂ™t have a clue what Dubstep is, go and check it out. P.S.A Quick Guide to Making GoodDubstep Hi Readers, Putting a wide-screen spin on Auto-Tuned reggae and perky synth pop, Dadzie rolled bass lines that were as unstable as the earth undergirding Hollywood. as something like a bedroom community for LondonвЂ™s dubstep scene. вЂњReasonsвЂќ — named by Skrillex as вЂњone of the most influential songs everвЂќ — helped establish L.A. There was American dubstep before the Los Angeles producer John вЂњ12th PlanetвЂќ Dadzie launched his local party SMOG, but nothing set the tone for domestic bass culture quite like this PlanetвЂ™s orbit. 12th Planet вЂ“ вЂњReasons (Doctor P Remix)вЂќ (2010) The sole moment of ecstasy arrives when Florence unleashes вЂњYou know itвЂ™s realвЂќ and Jamie chops it up. Through heavenly harps and a garage beat, lovers try to convince themselves of each other long after the fireвЂ™s gone. With Jamie xx at the controls, Florence WelchвЂ™s arena-sized cover of a Candi Staton song became a fantasia of dread, like psychedelic Cali soul stripped by LondonвЂ™s gray minimalism. pop-stepвЂ™s finest moments arrived at a perfectly timed crossroads for two budding superstars. Florence + the Machine вЂ“ вЂњYou Got the Love (Jamie xx Re-work)вЂќ (2009) It only figures that Ricardo Villalobos would latch onto this for his own DJ sets (and, later, remix it to profoundly unsettling effect). ItвЂ™s topped off with a pitched-down meditation on 9/11 that sounds less maudlin than grimly resigned. But 2007вЂ™s вЂњBlood on My HandsвЂќ stands apart, carefully balancing quicksilver percussion and diffuse chords. ShackletonвЂ™s uniformly sepulchral mood and extensive use of the same ethnomusicological drum samples lead much of his voluminous catalog to blend together and thatвЂ™s just fine — neither dub nor drum circles reinvent the wheel every time, after all. Uncluttered, with phlegmy bass and crunchy-cereal claps, the San FranciscanвЂ™s most popular tune ratchets up the tension with вЂњZarathustraвЂќ kettle drums and refuses to stop the whirligig even as nausea closes in. вЂњBass HeadвЂќ evades exhaustion with drops that are worlds away from the BritsвЂ™ nasty wobbles — opting instead for sleek, carefully calibrated swoops and curves. Six-and-a-half bass-swept minutes of delayed gratification. Its spindly needlepoint riff unfurls casually before drifting into lockstep with a head-nodding groove of heart murmurs, slow-burn shudders, and mechanical, paranormal moans. Peverelist вЂ“ вЂњRoll With the PunchesвЂќ (2007)ДЄ lesson in restraint by Tom Ford, the label head of BristolвЂ™s Punch Drunk, luring you into a smothering labyrinth of queasiness and chilling your bones with periodic shocks from looming bass ghosts.